11/19/10

Write of Passage Winner in Familiar Territory








2-Time Winner Alan Tregoning wins with "A Clip in Time"

Congratulations to the 2nd Annual Write of Passage Screenwriting Competition winner Alan Tregoning for "A Clip in Time." Alan's urban fantasy is about a man who retraces his steps to learn how a paper clip has derailed his life.

He will receive $1,000 cash and introductions to key Hollywood players (producer Ralph Winter, "X-MEN Origins: Wolverine") and expert critique from writer/producers Luke Schelhaas ("Law and Order," "Smallville") and Brian Bird ("Not Easily Broken").

You might recognize Alan's name because he won the 1st annual Write of Passage contest last year. This year, Alan bested over 130 entries with his script "A Clip in Time." Alan's urban fantasy is about a man who retraces his steps to learn how a paper clip has derailed his life.

All Write of Passage entries were based on Proverbs 28:13 "He who conceals his sins does not prosper, but whoever confesses and renounces them finds mercy" (NIV).

Click here to read Alan's and the other ten finalists' work (all scripts are 12-pages).

Alan Tregoning is a speed filmmaking veteran, having entered several films in the 168, 48 and 24-hour film competitions.

“Adoptation,” his 2010 entry in the 168 Film Project was nominated for three awards including Best Comedy and Best Comedy Screenplay. It's the story of a couple who adopts a 40-year-old man as their son.

His short film “Sanctuary” won four awards at the 2010 Dallas 48-Hour Film Festival including Best Film and may screen at Cannes 2011.

Alan co-wrote season Two of “iShine Knect,” a tween sitcom seen weekly on TBN, JCTV and the Smile of a Child network. As a part of the Prestonwood Baptist Church creative arts team, he helps write and produce a weekly video element for first through sixth grade children.

Alan lives in Dallas, TX with his wife and son and has a daughter on the way.

Alan talked about his Write of Passage Experience:

Thank you! (Winning) is an honor knowing the level of talent the 168 Project and Write of Passage attracts.

The inspiration for “A Clip in Time” came from an incident back when I was in high school. I guy in my youth group shared a story about how he needed a paperclip, but was all out. That evening at work he noticed a stray paperclip and took it.

Later that night he was reading a devotional that made the point that “even if you steal something as small as a paperclip” you are still guilty of stealing.

Feeling convicted, the next day he returned the paperclip to his work. One of the other guys in the youth group made fun of him and told him that he was silly as the paperclip was just trash no one cared about.

His response “What could I do? I was convicted!” I always thought that it was a great testimony as to how sins we see as small and insignificant are actually a big deal to God.

I really liked the verse for this year because there was a natural story arc built right in; a man who conceals his sin and does not prosper, he then repents and confesses his sin and prospers. It also left the story possibilities wide open as there was no specific sin defined in the context of the verse. Pick a sin, any sin.

When I was coming up with story ideas to pitch to my RCP one idea I had was about how small compromises can actually have great repercussions. I took the stolen paperclip idea from my buddy in high school and expanded the idea to include what would happen if the Holy Spirit did convict you of something as insignificant as stealing a paperclip and you ignored it. How bad could things possibly get for you.

Writing the story in reverse chronological order proved to be a challenge. I knew how I wanted the story to open and close so I started writing from each end until I eventually met in the middle. I tracked down a transcript of the Seinfeld episode “The Betrayal” that was also written in reverse chronological order and studied it to figure out how they did their set ups and pay offs.

Jason Flynn, my RCP, was a great help in getting the script developed. I originally pitched him seven ideas and he helped me zero in on the paperclip story. I then wrote up a three page treatment and sent it in for some feedback.

Once I got the notes back I went to script. Jason gave me some great development notes over the three drafts I did of the script and really helped polish it before the deadline.

+++++++++++++++++++++++++++++++++++++

Runner up 1: J.J. Bailey's "Predatory" is a courtroom drama indicting sub-prime loan sharks.

Regarding Write of Passage, J.J. said, "It was an absolutely invaluable experience to work with an honest to goodness producer. It was like having my very own script coach for a week! How great is that?!"

"I have learned a tremendous amount because of this entire process. The competition stretched me as a writer in ways that I had not really been challenged before," he said.

J.J. Bailey is a twenty-six-year-old aspiring screenwriter from San Diego. J.J. looks forward to including his faith in the trenches in Hollywood.

Runner up 2: Torry Martin and Marshal Younger's "Covering Your Tracts" is about a para-church manager embarrassed by his own carelessness.

Torry said, "We had an absolutely wonderful (Write of Passage) experience. We were partnered with the amazing Doug Goodrich as our RCP (or mentor). His insightful and thought-provoking notes motivated us to push deeper and write better."

Torry Martin writes for "Adventures in Odyssey" and is an award-winning actor, screenwriter, comedian and author. He is a two-time Gospel Music Association Grand Prize Winner for acting and writing, who currently resides in Sparta, Tennessee.

Marshal Younger is a writer/director and producer on the popular audio drama "Adventures in Odyssey." He also penned "A Greater Yes" and many stage plays and sketches, as well as the children's book series, "Kidsboro." He currently lives in Spring Hill, Tennessee, with his wife and four children.

10/28/10

Miracle on Providencia Street

















On the set of "Bountiful," produced by Susan Shearer

& Amber Deegan and Directed by Eric Tozzi


Last night at the Wednesday Night Prayer Service for Media City Church a man named Paul came in for prayer. He was from FL and had come to break into Hollywood with his screenplay.


He was broke, living in his car and his father had recently died. He was desperate to find work so he could earn a few hundred dollars to return home. He had found absolutely no work and he was desperate. He knew he needed to return home. He broke down sobbing uncontrollably as we laid hands on and prayed for him.


Later one girl told the story of how she had received $20 unexpectedly and has given it away to someone else and then received even more money unexpectedly. Generosity was the point of her story. She said that God rewards those who "give it away" cheerfully.


As the prayer meeting broke up, I said to Paul and to the group, "So you know we are for real, here is $20 to help you get back to FL." Many others came up to him and gave him money, which he stuffed into his pocket. Yet he was still depressed because of what he saw as insurmountable financial need.


We talked for quite awhile about his screenplay. I asked him if it was honoring to God. He didn't directly answer, but said that it wasn't appropriate to talk about it in a church. I did not condemn him, but rather told him of our mission in 168: to illuminate the word of God and to make God-honoring films.


I explained the rationale and the long view of "The Envelope."


With each generation of filmmakers, the envelope is pushed to the point that shocking things of today will be tame compared to tomorrow's taboos. The result is a society (and children) that is increasingly foul-mouthed and accepting of debauchery. And story suffers greatly too. If you can't rely on shock value to entertain then you actually have to make an excellent story!!


IS IT REALLY EDGY ANYMORE TO BE EDGY? Shouldn't we really be uplifting those who build up society rather that those who degrade it.


Rather, the real rebels are those who rebel against the world's system and values by including beauty and honor and truth in their films and dare I say it, the truth of Jesus.


Please see the Evangelista Award Winning (Best gospel of Jesus Presentation) film on the "Best of 168 2010" DVD. Though not technically perfect, 1st Time Filmmaker Alberto Portillo's "Relentless Heart" is an excellent model and template for a "Gospel Film."


To order DVD click Here or call 818-843-6060.


Back to the miracle:


Twice I urged Paul to count the money. Twice he refused in his depression over the mountain of money he still needed to return home.


The third I asked him, he humored me and pulled out the wad of bills. We counted over $250, more than enough to get him home.


He was completely overwhelmed and excited by his need being completely met! He was giddy and couldn't wait to tell the folks in FL what God had done for him.


Me and a few others are still a little bruised from all the hugs he gave. I am also amazed that God did this and I know he will take care of us always.


And I know that all of our financial problems are nothing to Him who gave us life.


Be generous!

10/26/10

Sports & 3D, Apple & Netflix





George Lucas will be re-releasing all six Star Wars films in 3D starting in 2012 in order, which means you have to suffer through the latest ones to get to the good stuff. Sorry if I have offended the 3 Jar Jar Binks fans out there.

There were twenty films released in 3D in 2009 vs. eight in 2008. According to film-releases.com, over seventy 3-D titles have been scheduled from Fall 2010 - Dec. 2011. For full report, click here.

Some of these films were retro-fit, like "Clash of the Titans." The results of that experiment were mixed at best visually. But. if the public is willing to pay up to a 25% premium for tickets, you can see why they did it.

But, as an actor I wouldn't like my head to look that thick on the screen. Craninal victimization is the technical term for this unfortunate aspect of tacking on 3D to 2D material.

3D is here to stay, for now. 3D capable screens across the US and Canada have more than doubled to 3,548 in about a year.

The public is embracing it for now, but how long will they pay $16 (L.A.) vs. $12 for a movie.

ESPN is currently the only 3D network. They will broadcast 85 live sporting events to those with HD and 3D service AND a 3D capable screen.

Cost (with ATT U-Verse) $20 for HD/3D service, Panasonic 3D capable 50" Plasma TV $2400. You can get smaller screens for about $1500, but why would you.

What about 2D Web TV: ESPN3.com, MLB.tv & NHL Gamecenter now give sports fans the ability to watch their favorite teams live over the internet.

I tried it on my ATT U-Verse ultra-slow connetion and it's not bad!


Watching my Alma Matter, Miami University (Redhawks, not the weather conditions) was not possible on my Sprint HTC phone. Luckily Colt McCoy and The Cleveland Browns have a Bye this week.

Are we are all moving toward unplugging the ball and tether of cable TV, in this economy. I think so.


In the past, there have not been effective ways to stream content to your living room.

But, AppleTV, Boxee and others are getting there. I hope they can get the phone apps working soon.

Seeing the "spinning beach ball of death" (system busy icon) on my phone as I tried to access real time streaming content makes me wax nostalgic (read as "angry) about dialup internet access speeds and wait times.


As the trickle becomes a gusher of people rushing to "Over the Top" (OTT) or internet based TV, we may see the information superhighway slow to a crawl.


Bandwidth is a moving, relative target. It's more than adequate for highly compressed video. Try uncompressed HD and dialup will look like a dream come true.


Finally, I expect OTT offerings to increase in value and competitiveness to broadcast TV (small and getting smaller "B" intended). Apple is easily the most innovative large company in entertainment and their voice will be heard.


Flexing their muscles and their generous war chest, Apple may soon be in acquisition mode.


One likely target is Netflix with their $50 billion plus in cash reserves. The synergy of the deal will bolster badly needed content as well as around 16 million users to market iPhones, iPads and all things Apple.

10/19/10

168 Write of Passage Writers Begin, What Would Jesus Write?

Picture: Jesus' Sermon on the Mount (Matt. 5-7; Luke 6:20-49) is believed to have been given at the top of the ridge (near the buiding) in the vicinity of Capernaum.

The Write of Passage Screenwriting Competition is underway! Over 130 writers are now sweating it out, their assignment is to make a story out of this verse: Proverbs 28:13 "He who conceals his sins does not prosper, but whoever confesses and renounces them finds mercy."

The final participation includes: 24 Mentors or RCPs, 8 countries: Canada, England, Ireland, Turkey, France, Netherlands, Japan and 23 US states. Want to know what it's like to compete:

See below for "The Writer Stumbles" a hilarious promo from 168 alumni Mark Blitch.



What would Jesus write?

Mark 4:33-34 "With many similar parables Jesus spoke the word to them, as much as they could understand. He did not say anything to them without using a parable. But when he was alone with his own disciples, he explained everything."

Regarding the Kingdom of God, Jesus told many parables when he was with the masses. Some were plain and some required deliberation, wrestling and even argument.

This argues for a great diversity of films, from "Gospel" variety to "JGF," or Just Good Films. Yet, much of what we see out of Hollywood is banal, pedantic and dishonest.

Like great filmmakers, Jesus posed many questions, always with a point of view. He never talked down to his audience, but assumed that seekers would find answers.

Has our culture discouraged this seeking and finding answers? Have we become so lazy that we want it handed to us, even to the point of intellectual welfare. To teach a man to fish or to think for himself is the most humane approach.

For spiritual artists, the debate will never end regarding content for movies and TV. The question will always be asked and second-guessed, "How Much Faith is too Much?" One key to this question is "as much as they could understand."

How much do you think people can understand or tolerate? How does your attitude reflect in your art?

Imagine a giant movie screen installed at the site of the Sermon on the Mount (pictured above). Would Jesus have used the tools of the times. You bet!

9/30/10

Are Christians Morons?

I watched Bill Maher (pictured here) call all Christians "morons" on The O'Reilly Factor. Maher said: God wrote the Bible, right? If it's your perfect Holy Book written by God, then why is there stuff in it that is wacky, immoral untrue and makes no sense?

O'Reilly said: It's allegorical and meant to teach you a higher truth.

Maher was shocked because he thinks being a person of faith means you check your sense of reason at the door and believe absolutely everything in the book.

Maher promptly questioned the verse that says: if you see your neighbor working on a Sunday, you should kill him. O'Reilly: I am a Christian and I believe in the New Testament.

Maher said: "All the Christians wana get behind the happy half of the Bible."

It's kind of a shame when political guys debate Christianity and (sometimes vice versa). You wanna jump in.

I decided to write the show, cause we're here to impact pop culture, right? Here's my note to the Factor. See if it's on tomorrow night (Friday, Oct. 1, 2010).

Bill,

Maher might be credible if he actually knew what the Bible is.

It is two agreements. In the Old Testament God made a deal to relieve the effect of sin on people. In the New Testament, He obliterated the effect of sin thru the sacrifice of Jesus Christ. The old shows what sin demands: death. The new supersedes the old and gives grace and forgiveness (from sin and death) for those who believe.

I suppose you didn't say this because you knew Maher's head would explode.

9/23/10

168 Writer-Filmmaker Summit in NY & LA


168 Writer-Filmmaker Summit
Oct. 9th 10:00 AM-1:00 PM PT (1-4 PM ET)
Live from the Showbiz Store and Café (in L.A. & NYC)
LA: 500 S. Sepulveda Blvd, Los Angeles, CA 90049, (877) 320-8011
NYC: 19 W 21st St, New York, NY 10010 (866) 605-7006

The 168 Writer-Filmmaker Summit is a bi-coastal info-edu-networking event designed to connect the left or right coast without using airplanes.



Janet Scott Batchler

168 welcomes special guest Janet Scott Batchler (writer, "Batman Forever" USC Writing Professor), who will discuss "Pitching to Hollywood." Wisdom from a veteran “in the room” is CRUCIAL to writers and filmmakers!

Our Partner Showbiz Store and Cafe will host simultaneous meetings at their stores in Los Angeles and New York. The LA meeting will be simulcast in NY. If you can’t come for in-person networking, feel free to interact with attendees via the online chat room. Tune in to the excitement and join a world-wide audience at Minglemediatv.com. Register for the event at http://www.eventbrite.com/event/890829495.

Writers, Filmmakers, Actors and other film personnel will discover opportunities for cast and crew in the 168 Film Project (Signup Deadlines: Int'l-Jan 31st, USA-Feb. 6th, 2011) and Write of Passage Screenwriting Competition (Signup Deadline Oct. 11). Door prizes at BOTH NY & LA locations: Showbiz Budgeting Software (value $400 each) and two Showbiz Labor Guides (value $60 each).

Agenda: (Note: this is Pacific Time. Eastern Time is 3 hours later!)

10-10:30 Mingle and nosh on snacks and coffee, Videos of 168 BTS & Clips
10:30-11:00 168/Write of Passage Overview
11:00-11:45 Janet Scott Batchler, special guest speaker
11:45-12:15 Questions, Pitch Critique of volunteer pitchers
12:15-1:00 Door Prize Drawing and closing remarks