6/26/13

168 FILM FESTIVAL FINALISTS ANNOUNCED-GRAND PRIZE UP TO $1 MIL



168 Film Festival Red Carpet Arrivals


FOR IMMEDIATE RELEASE:                                CONTACT: John Bergin
info@168project.com



168 FILM FESTIVAL NARROWS CONTENDERS TO 22
IN THE HUNT FOR THE GRAND PRIZE OF
A FEATURE FILM BUDGET UP TO $1 MILLION

Celebrity Talent Includes Steven Baldwin (“Celebrity Apprentice”), Emayatzy Corinealdi (“Middle of Nowhere”) and Rachel Hendrix (“October Baby”).

Fifty-Eight Slots Remain for the Aug. 8-10 Festival in Glendale, CA

LOS ANGELES (June 26, 2013) -- Twenty-two short narrative films out of 152 submissions to the 11th annual 168 Film Project (http://168film.com) -- whereby filmmakers get seven days (168 hours) to shoot and edit a 10-min.-or-less short based on scripture -- have been named finalists, eligible for the Grand Prize, a feature film budget up to $1 Million from Presenting Sponsor EchoLight Studios, it was announced today by 168 Film Project Director John David Ware.

The balance of the Official Selections to the 168 Film Festival will be posted soon to www.168film.com, including Documentaries, Student, Animation and Write of Passage Spotlight Films made from 168’s speed short screenwriting competition.  Screening schedules and nominations will be announced after July 4th.

Of 22 finalists, there are seven international teams: Australia (4), South Africa (2) and Canada (1).  Finalists from the USA are from California (6), Texas (3), Georgia (2), Colorado (1), North Carolina (1), Ohio (1), and Virginia (1).

The 2013 jury includes: Brian Bird, Writer/producer "When Calls the Heart;" Doug Butts, SVP of Programming at INSP; David L. Cunningham, Director "The Path to 911" and To End All Wars" starring Kiefer Sutherland; Leilani Downer, Writer "The Fresh Prince of Bel Air;" Bill Ewing, Producer, "End of the Spear;" Gary Hall, SVP of Fox Television Post Production, Beverly Holloway, Casting Director; Susana Zepeda, Sr. Director of Video Production at Fandango, NBCUniversal; Naima Lett, Producer, Brian S. Chan, Pastor at One Thing Hollywood and Alan Miller, senior pastor of First Baptist Church of Hollywood.

"We congratulate our filmmakers who took the challenge and got it done in 168 hours," said 168 founder and director John David Ware. “With the massive increase in talent and skill, absolutely every film is a must-see."

Approximately 80 short films will unspool at the 168 Film Festival in Glendale at the Performing Arts Center, 1440 E. Broadway, Glendale, CA 91205, Aug. 8, 9 and 10, 2013.  The Sat. Aug. 10 awards show will include the Grand Prize presentation.

Festival tickets range from $15 to $59 for a VIP Pass. Tickets are on sale at http://168film.com.  Student, and Senior Discounts are available.  Parental discretion suggested for children 12 and under.



168 FILM FESTIVAL FINALISTS FOR 2013 ARE:

Australia:

Elizabeth and Judah Simard's "Paladin" (Team 40, Brisbane, AUS) is based on Ephesians 5:1-2 Follow God’s example, therefore, as dearly loved children and walk in the way of love, just as Christ loved us and gave himself up for us as a fragrant offering and sacrifice to God. (NIV)   Logline: Can battling brothers break free from the seedy prize-fighting underworld?

Aaron Kamp's "Never Too Late" (Team 41, Perth, AUS) is based on Exodus 32:31 So Moses went back to the Lord and said, Oh, what a great sin these people have committed! They have made themselves gods of gold. (NIV) Logline: Stealing a fresh look at life demands courage to change.

Dana Newell and Christopher W. Bailey’s “Lost in the Dark” (Team 73, Lillyfield, AUS) is based on Exodus 21:23-25 But if there is serious injury, you are to take life for life, eye for eye, tooth for tooth, hand for hand, foot for foot, burn for burn, wound for wound, bruise for bruise. (NIV) Logline: A woman must reconcile with her captors or be thrown to the creatures of darkness.

Lyle and Lisa Carey's "The Red File" (Team 142, Sydney, AUS) Exodus 29:33 They are to eat these offerings by which atonement was made for their ordination and consecration. But no one else may eat them, because they are sacred. (NIV)  Logline: Michael's red-hot appetite for success forces a new diet.

Canada:

Justin Machnik's "Fathers & Sons" (Team 53, Calgary, CAN) is based on Ezekiel 16:63 Then, when I make atonement for you for all you have done, you will remember and be ashamed and never again open your mouth because of your humiliation, declares the Sovereign Lord. (NIV)  Logline: An abusive father's passing gives his son unexpected revelation.

South Africa:

Diane and Shane Vermooten’s “Freedom Road” (Team 116, Cape Town, South Africa) is based on Exodus 30:15 The rich are not to give more than a half shekel and the poor are not to give less when you make the offering to the Lord to atone for your lives. (NIV) Logline: A woman comes face-to-face with her husband's murderer in South Africa's apartheid era.

John DeVries’ comedy “Scapegoat” (Team 121, Cape Town, South Africa) is based on Exodus 30:16 Receive the atonement money from the Israelites and use it for the service of the tent of meeting. It will be a memorial for the Israelites before the Lord, making atonement for your lives. (NIV)  Logline: An American tourist becomes the goat as he spoils a young African's plans.

U.S.A:

Kimberleigh Rene and Gary Voelker's "Abound" (Team 10, Arlington, VA) is based on Romans 5:20 The law was brought in so that the trespass might increase. But where sin increased, grace increased all the more. (NIV) Logline: A rebellious daughter takes her cue from a pool hustler.

Peter Wigand’s “Blood” (Team 102, Aurora, CO) is based on Exodus 30:10 Once a year Aaron shall make atonement on its horns. This annual atonement must be made with the blood of the atoning sin offering for the generations to come. It is most holy to the Lord. (NIV)  Logline: Battling his shameful sins, a man struggles to truly accept God's forgiveness.

Joshua Porter’s “Fin Del Ano” (Team 103, Columbus, OH) is based on Leviticus 25:29 Anyone who sells a house in a walled city retains the right of redemption a full year after its sale. During that time the seller may redeem it. (NIV) Logline: A horse trainer sees the heart of a champion.

Ashley Hollingsworth and Jared Hogan’s “The Good Thief” (Team 143, Charlotte, NC) is based on Proverbs 14:9 Fools mock at making amends for sin, but goodwill is found among the upright. (NIV)  Logline: Temptations are many, even after prison.

California:

Joth Riggs’ “HEARTFALL” (Team 59, Westlake Village, CA) is based on Leviticus 1:4 You are to lay your hand on the head of the burnt offering, and it will be accepted on your behalf to make atonement for you. (NIV) Logline: A young woman struggles to reconcile with her father after a family tragedy.

April Garwood’s “Bullied” (Team 99, Hollywood, CA) is based on 1 Samuel 2:24-25A No, my sons; the report I hear spreading among the Lord‘s people is not good. If one person sins against another, God may mediate for the offender; but if anyone sins against the Lord, who will intercede for them? (NIV) Logline: A bully realizes the impact of her cruelty.

Wes Halula and Chris Robert’s “Stop Traffick” (Team 105, Montrose, CA) is based on Jeremiah 50:34 Yet, their Redeemer is strong; the Lord Almighty is his name. He will vigorously defend their cause so that he may bring rest to their land, but unrest to those who live in Babylon. (NIV)  Logline: A suburban mom turns vigilante to rescue her daughter from the sex trade.

Nathanael Matanick’s “ReMoved” (Team 111, Carpinteria, CA) is based on Hebrews 12:2b For the joy set before him he endured the cross, scorning its shame, and sat down at the right hand of the throne of God. (NIV) Logline: A girl relives her painful journey through foster care.

Kors & Kim Vandiver's "LU" (Team 114, Los Angeles, CA) is based on Romans 5:15 But the gift is not like the trespass. For if the many died by the trespass of the one man, how much more did God’s grace and the gift that came by the grace of the one man, Jesus Christ, overflow to the many! (NIV) Logline: A marine searches for a woman he wounded during a firefight in Iraq.

Elizabeth Hewes' comedy "The Trouble with Gum" (Team 146, Cypress, CA) is based on Romans 5:12 Therefore, just as sin entered the world through one man, and death through sin, and in this way death came to all people, because all sinned. (NIV) Logline: Who knew something so small could cause so much trouble?

Texas:

Chris Wiegand's "Ferre" (Team 38, Dallas TX) is based on Leviticus 1:4 You are to lay your hand on the head of the burnt offering, and it will be accepted on your behalf to make atonement for you. (NIV) Logline: An orphan's journey hinges on his new best friend.

Brandon Carmichael and Mark Blitch's “The Traveler” (Team 70. Plano, TX) is based on Leviticus 4:26 He shall burn all the fat on the altar as he burned the fat of the fellowship offering. In this way the priest will make atonement for the leader’s sin, and he will be forgiven. (NIV) Logline: Grieving parents can fix the past, by paying the ultimate price.

Sondra Hicks “It's Not About Me” (Team 118, Richmond, TX) is based on Romans 12:1 Therefore, I urge you, brothers and sisters, in view of God’s mercy, to offer your bodies as a living sacrifice, holy and pleasing to God.  This is your true and proper worship. (NIV).  Logline: Rebekah's cancer causes her and her friends to celebrate her life.

Georgia:

Josh McKague and Adam Dukes’ “The Disquieted” (Team 133, Dawsonville, GA) is based on Jeremiah 50:34 Yet their Redeemer is strong; the Lord Almighty is his name. He will vigorously defend their cause so that he may bring rest to their land, but unrest to those who live in Babylon. (NIV) Logline: A wife's infidelity leads to her captivity.

Nate Pope’s “Justice Interrupted” (Team 144, Evans, GA) is based on Hosea 6:6 For I desire mercy, not sacrifice, and acknowledgment of God rather than burnt offerings. (NIV) Logline: A superhero is publicly shamed after breaking the law he supposedly protects.

# # #

5/23/13

Filmmakers Embark on $1 Million 168-Hour Race















Photo by Pete Brown

FOR IMMEDIATE RELEASE:

FILMMAKERS EMBARK ON 168-HOUR RACE TO DELIVER SHORTS ON
‘ATONEMENT’-THEMED BIBLE VERSES

Best Short to Win a Feature Film Production Budget up to $1 Million


150  Teams from Around the World Turn Cameras On To Mold Randomly Assigned Scriptures Into Quality Cinematic Entertainment

LOS ANGELES (May 23, 2013) -- God may have rested on the seventh day after a stunning six-day burst of creativity, but not so for over 150 filmmaking teams from across the U.S. and as far away as Australia, Ethiopia and Zambia that have entered in this year’s speed filmmaking contest, the 168 Film Project.

Sponsor EchoLight Studios is providing the 2013 Grand Prize, a feature film production budget up to $1 Million for the producer of the Best Film of the 168 Signature Speed Film Competition.
On May 13, 2013, the filmmaking teams -- an estimated 1,500 film professionals and amateurs alike – received a luck-of-the-draw Bible verse plucked from scriptures that relate to “Atonement,” this year’s theme.

They were given ten days to prepare, including writing, casting, scheduling and rehearsals and then seven days, or 168 hours, to shoot and finish a short film of 10 minutes or less.

If the previous ten editions of the annual competition are any indication, producers, directors, editors and composers will likely use every last minute of their final 24 hours to perfect their creations.

“This is the week our filmmakers put the rubber to the road,” said 168 founder and director John David Ware. “They find out how effective their planning has been as they work to make memorable films that will earn them invitation to and nominations at the 168 Film Festival (August 8-10 in Glendale, California).”

New this year, the finished films are due to be uploaded at 168film.com (Southern California Teams will submit in person in Burbank) no later than 11:00 AM on Monday May 30, exactly 168 hours after the production start.

Video updates from the 2013 production week will be posted on the 168 Film Project YouTube channel.

For an example of the excitement, see the Turn-in Drama from 2011 as David Holechek & Jerrold Launer sprint across the finish line with just under 1 minute to go! http://www.youtube.com/watch?v=KokzQYFQkEE

The 2013 stories are just now coming to light and some are still being written.  Here are some of the planned productions.

Directed by Bob Arvin, "An Ocean Away" is filming onboard the U.S.S. Iowa, a WWII era battleship, which has become a floating museum.  The team has been allowed access to the decks and levels forbidden to tourists so they can tell the story.

"An Ocean Away" is a dramatic story set in WWII.  A young man longs for his "freedom" from the Navy to return home to an ailing child.  Echoing Exodus 6:6, he must learn to trust that God will bring his deliverance.

"My grandfather was onboard the battleship U.S.S. Tennessee in World War II, so we have gained some inspiration from that experience to help us tell our story onboard this amazing ship," said Arvin.

Travis Mendel’s team will tell the story of an up-and-coming fashion designer, who decides to donate all proceeds to charity.  It’s based on  Micah 6:8 He has shown you, O mortal, what is good. And what does the LORD require of you? To act justly and to love mercy and to walk humbly with your God.

Artie Delgado’s team will describe "CUE," a Hip Hop artist-turned-Pastor on a mission to redeem and re-make lives skid row.  Based on Luke 4:18-19 The Spirit of the Lord is on me, because he has anointed me to proclaim good news to the poor.  He has sent me to proclaim freedom for the prisoners and recovery of sight for the blind, to set the oppressed free, to proclaim the year of the Lord's favor.

Veteran Producer Mike Wech will tell the harrowing story of a man, who after surviving 6 days of sharks and rough seas on a raft makes atonement & reconciliation his business.  Based on 2 Corinthians 5:18 All this is from God, who reconciled us to himself through Christ and gave us the ministry of reconciliation.

Tickets to the 168 Film Festival will be on sale starting June 3rd at 168film.com.

To schedule interviews with 168 or one of the filmmakers, contact John David Ware, 818-557-8507,  john@168film.com or Jerry McGlothlin at: 919-365-6149 jerry@specialguests.com

5/7/13

A Thank You from Anthony Chiles







Anthony Chiles

This is a thank you note from a friend from my hometown Columbus, Ohio.  Thank you Anthony!  It really helps to know that we are making a difference!

ANTHONY'S NOTE:

John,
First I'd like to thank you for having the vision and commitment to create the 168 Film Project. I thank God everyday for the talents I've been given and I appreciate that there are people such as yourself who offer creative individuals the opportunity to use those God given talents to glorify Him. 
I am a civil engineer by degree. I moved to Columbus, Ohio after graduating from Missouri S&T because I was offered a job at American Electric Power's corporate headquarters. I quickly discovered that sitting in a cube, day-after-day, was not my calling. So in an effort to learn something new I decided to take acting classes and I fell in love.

I took as many classes and read a many books as I could get my hands on. I managed to get involved in some commercial work and an indy film that never made the light of day, but the 168 was the first time I worked on a movie that resulted in a final product. It was also one of the most professional settings I had been on to date as well. The G&P Productions team was great and everyone involved was committed and focused. And from that project I went on to work with director Jack McClintock on three additional shorts one of which I was the lead.

Being part of the 168 Film Project helped me realize just how passionate I was about the craft of acting. It showed me that this talent I'd been given could be used to tell stories that impact and change lives. I resigned from my job as an engineer and moved to LA to act full time because I wholeheartedly believe that being a storyteller is how I will make the greatest impact that I can. And the 168 Film Project was a major part of my journey toward that discovery.

Truly grateful,
Anthony Chiles

4/26/13

Can a Non-Religious Producer Compete in 168? A Letter from Director, John David Ware


Dear Friends:

168 is NOT a Preaching Competition, it's Serious Storytelling!



The 168 Film Project is excited to welcome you to the competition, whatever your faith. No, you do not have to make a preachy film to win the up to $1 Million feature film budget. Scriptural Integration (how well the scripture is reflected in your story) is a key as is technical prowess.

There are some content restrictions, but your task is simple. Create a great story based on a scripture! We believe that all stories can be told without swearing, nudity, or overly violent content and religious attacks.

If you want to preach in your film, then you are welcome to do that with excellence too!  We welcome your efforts at improving the genre of "Gospel Films" and there is an award for the best film that explains simply and directly the Gospel of Jesus; that we have sinned and he saves us.

Each year, mature content is portrayed in 168 with exquisite subtlety in the western, zombie, drama, comedy and almost every other genre. Yes, this type of storytelling is a lot harder than that full of "f-bombs," but it is far better and more satisfying art. This subtlety allows content to be enjoyed by a wider audience.

Real life is complex and real drama shows this. The fact is that people do pray and murder, steal and give gifts, lie and love. This is life and that is what we are after. The theme this year (2013) is Atonement, which is covering a wrong that's been done to us or by us. I think we can all relate.

Faith-friendly film or values-driven entertainment is a valid, money-making enterprise if you do it well (i.e. "Blindside," "Soul Surfer," "Chariots of Fire"). It is more than genre, it is a relationship to your audience.

A large segment of the population (mothers, kids, families and middle-America) is sensitive to gratuitous language, violence and sexual material. This is why PG and PG-13 films are the champions of the box office.

If you are up to the challenge of making a film from the best selling book of all time, then we are excited to cheer you on.

As you compete for a feature production budget worth up to $1 Million Dollars, you will develop significant creative, crew and industry relationships.

Film is at its best when it encourages discussion, reinforcing and celebrating values that make us human. We are excited to watch you touch lives and grow as an artist.

-- John David Ware, 168 Founder and Director


4/23/13

168 Film VIP Mixer with Greg Michael 4-22-13

















(L-R) Greg Michael, Director 2nd Unit 

and John David Ware, Director 168 Film Project 


The event was a mixer to encourage crew to join filmmakers in the 168 Film Project to join a team or start their own team.  Greg Michael, 2nd Unit Director was our VIP guest.

Greg told about his experience directing on big pictures like "The Scorpion King," "The Mummy," "The Mummy Returns," "G.I. Joe: The Rise of Cobra," and "Van Helsing."

He talked about shooting in Morocco in miserable 139 degree weather.  When a sandstorm came up, the gear was quickly packed away and yet they needed that shot, so the gear was quickly unpacked.

He told of the collaborative nature of film, where anyone can be the hero of the day.  In the end it's all a product of the collective, so the best advice is to be courteous to everyone all the way down to line.

Greg shared great insights with our short film producers in the area of creating the illusion.  If you can imagine it, you can create it.  He backed this up with practical experience from a chase sequence he shot in Prague on "Van Helsing" with Hugh Jackman.

Greg is a firm believer in learning from both the mistakes and good fortunes of others, so his example started where he started in getting ready to shoot the "Van Helsing" chase sequence.  To prepare, Greg deconstructed the horse and carriage chase from "The Legend of Sleepy Hollow," with Johnny Depp.

Greg didn't work on this film, he only studied it.

The logistics of a carriage chase with horses is exponentially difficult if you need horses in every shot.

So, the trick and trade of any good director is to find a way to create the illusion of reality with efficiency.  In this case, Greg had to sell the idea that were horses there at all times, even as the carriage is actually being hauled by an 1/2 ton pickup truck.

Because of copyright issues, I can't upload either sequence, but I have a great pinch hitter, the 168 Barnyard Promo from 2004 (our 2nd year).

Snickers the pony was wonderful, but his agent would not allow him to be in every shot.  Plus, he had a lot of trouble hitting his marks.  Click Here and Enjoy!

2/13/13

168 FILMMAKERS BENTIVENGO & ADAMS WIN $250 K


Olivia and Dennis Bentivengo producers of "Useless"Best Film 2011 - 168 Film Festival
Best Short Film 2012 - San Antonio Christian Film Festival

Brandon Adams, Writer/Director/DP

“168” FILMMAKERS OF EXCELLENCE WIN AGAIN: This week, we learned that one of our filmmakers has won a competition outside 168.  Our presenting sponsor Echolight Studios, offered a $250,000 feature film budget to the winner of the best short film at the San Antonio Christian Film Festival.  Both the winner and the runner-up began as entries, specifically made for the 168 Film Project.  This is external confirmation that the 168 model works.  SEE TRAILER

The film is called “Useless,” produced by husband and wife team, Dennis and Olivia Bentivengo and written, directed and shot by Brandon Adams.  “Useless” collected three awards (of 11 nominations) at the 168 Film Festival 2011 including Best Film, Best Actor (Kevin Sizemore) and Best Cinematography (Brandon Adams).  Www.USELESSmovie.com

The runner-up was “Static,” with 10 nominations.  It was produced by Brandon Carmichael, Alan Tregoning and Jason Walter Vaile and won the Best Actress Award (Morgan Alana Taylor).

INTERVIEW:

“USELESS” producers Dennis Bentivengo (DB) 
and Brandon Adams (BA) 

How does it feel to win the budget for your next film?
Dennis: For USELESS to win Best Short Film at the SAICFF and get awarded the prize of $250k to make a feature, that just reminds us to “seek first the kingdom of God and His righteousness, and all these things shall be added to you."  This verse is the name Bentivengo’s production company - Matthew 6:33 films.

Brandon: Pretty unbelievable. It took a few days for it to sink-in, but when it did it was a bit hard to focus on anything. My mind keeps racing to all of the possibilities I've dreamed about over the years. 

Tell us how you became involved with 168.
Dennis: I was working Special Effects in Hollywood for Commercials, TV, and film.  (At times, this job forced me to) promote ideals that were counter-Biblical.  (The Lord) gave me and Olivia (wife) confirmation through prayer to produce a 168 as first time producers in 2011.  God’s dreams for me were far better than my original dreams of Special Effects Pyrotechnics, because there was a purpose, and a purpose to reach the world for Christ.  168 has given us a platform to follow the calling the Lord has put on our lives, to affect the world for Christ through the art of film, and to do it with the very best of our ability and more importantly with God's guidance and provision.

Brandon: My first 168 film was in 2008 ("Seed For You").  I was excited for the opportunity to experiment with how to incorporate a biblical worldview into film. It's not an easy thing to do.

What do you want others to know?
Dennis: Christian films don't equal mediocre films. When you're tempted to say, "That's good enough for a 168," which I heard come out of the mouths of a crew on another project, rebuke the enemy and give your absolute best and; don't sell yourself or the Lord short.  

Do you like the pressure of 168?  Why?
Brandon: Absolutely. Creativity needs boundaries and pressure and deadlines. It creates an opportunity for people to pool their resources together for an intense couple of weeks and get something done. Otherwise it could drag out for a year or more and never get done. I tend to thrive under pressure, so I feel very at home at 168.

How has 168 shaped you as a person?
Brandon: It is extremely helpful to be competing in a context where other believers will sharpen you and hold you accountable for your attitude and treatment of others. You can often get away with behavior that does not honor God when working in other contexts, but during 168 iron tends to sharpen iron and the Spirit often works to bear much fruit. The competition aspect can be difficult to deal with as it reveals levels of pride in our hearts that we'd rather not acknowledge. But God works through that to reveal our sin and prepare us for new situations where we may glorify Him.